London SS - Mick Jones and Tony James (right)
The Clash, Generation X, The Damned, Chelsea, Sigue Sigue Sputnik and the Rich Kids. If you play six degrees of separation with all of these bands they all have one common denominator: London SS. Founded by Mick Jones (The Clash, Big Audio Dynamite) and Tony James (Generation X, Sigue Sigue Sputnik), London SS never really was a band but more a Punk version of American Idol. With Jones and James playing the part of Simon and Randy, they conducted audition after audition looking for more musicians to round out their vision of what London SS would be; some would make the cut and move on, others would not and drop into obs
curity. After 10 months and having already rejected the likes of Paul Simonon (Clash bassist), Tony Chimes (Clash drummer), Topper Headon (Clash drummer after Chimes), Steve New (Rich Kids guitarist) and Rat Scabies (Damned drummer), Jones and James decided to call it quits. James first moved on to play bass with Chelsea which splintered into Generation X. When Billy Idol left Generation X, James started up Sigue Sigue Sputnik (right). Jones, famously, would join up with Chimes, Simonon, Keith Levene and Joe Strummer to form the Clash.
The ClashThroughout the years, bands and projects the two would participate in, Jones and James remained close friends. Sometime in 2002 the two started making regular trips to a recording studio together in West London. By Spring of 2003 the pair, under the name Carbon/Silicon (http://www.carbonsiliconinc.com/default.aspx ), began to release the results of th
eir collaboration free of charge as downloads on their website. By 2007 the pair (at right) had released a total of 7 downloadable EP and full length albums for free. In November they released “The Last Post”, their first “official” CD and began to play gigs in the U.S. this month to promote it. They will tour Britain next year. The sampled, electronic sound Jones broke ground with in B.A.D. is still present, but Carbon/Silicon is much more a garage-based band than B.A.D . One area that still remains from The Clash days is the overtly political theme to much of the lyrics and themes. Song titles like “Why Do Men Fight”, “The Whole Truth” and “National Anthem” would fit nicely on the back of any Clash album.For more, check out these links:
Sigue Sigue Sputnik - http://www.sputnikworld.com/
Generation X - http://www.billyidol.com/v1/genx.html
Radio, Radio
In telecom-speak, the capture effect describes how a radio determines, when given two different signals on the same frequency, which signal it will broadcast. When presented with multiple signals, FM receivers will only broadcast the strongest signal. The capture effect can also be used to describe the current state of “terrestrial” radio. When given the option of turning on your radio today, most people choose to talk on their cell phone, play a cd or listen to the ranting of some right-(or left) wing talk show host on AM radio while making their daily commute or driving to the store. The options for diverse radio programming have not been this bleak since Marconi sent himself the first radio transmission in 1895. The state of today’s terrestrial radio is in sad shape. Why else are millions of people signing up and paying for the subscription services offered by such companies as XM or SIRIUS? I, for one, will never pay for radio. I already pay for bottled water, toll roads and 100 channels of cable TV (of which I may watch 6 channels during any given month). Radio, like this shit, is supposed to be free. Scan the dial the next time you get in your car. Wait, I’ll save you the agony, because all you will find are 4 hip-hop stations, 3 Spanish language stations, 2 oldies top 40 channels and a partridge in a pear tree. Eventually, internet radio will get its act together and then your radio options will be limitless, and hopefully still free.When scanning the airwaves for 70’s and 80’s punk or new wave, the real estate effect is invoked: location, location, location. If you are lucky enough to live in an area with either a college station or a community supported station you have a chance to hear much more diverse programming and have a shot at someone still rolling out the punk and new wave music from an era when it, to, was largely ignored by ad-based radio. Let’s look at a few of the better radio programs that are still exposing the masses to some real variety, most 30 years after it was recorded:
Lest We Forget – Sundays from 9pm to midnite EST
90.9 FM WVVS-FM (www.valdosta.edu/wvvs)
Valdosta State University, Valdosta, GA
One of the longer running programs dedicated to punk and new wave, Lest We Forget (http://www.myspace.com/skipv91) will still occasionally throw in some newer music that is also ignored on ad based radio. Show founder and host Skip will enlighten the Fishbone, Iggy and XTC crowd with the occasional song from Th’ Legendary Shack Shakers (right) and She Wants Revenge. Skip hosted shows on the station while attending VS in the 80’s, then left and now is back working for the university. Lest We Forget also updates it’s listeners on newer releases from some of the 70’s and 80’s stalwarts such as New York Dolls and Patti Smith. Unfortunately the broadcast area is small (approximately 25 miles) and the station does not stream over the internet or maintain pod casts. The next time you’re rolling through Valdosta, GA check it out.
Patti Smith 80’s Underground – Wednesday from 9am to 11am PST
103.3 FM KSCU ( http://www.kscu.org/ )
University of Santa Clara, Santa Clara, CA
A college station dj’ed by mostly non-students, KSCU has been around as a radio station in one form o
r another for over 50 years. Jeff Shelton brings an eclectic mix of 70’s and 80’s new wave and punk to the South Bay airwaves every Wednesday from 9 am till 11. 80’s Underground ( http://www.myspace.com/80sunderground ) specializes in reviving the lost gems and forgotten acts from the era (Screaming Meemee’s, The Neats, The Nils - left) while still maintaining a link to the bands that ruled college radio back in the day (X, Guadalcanal Diary, The Replacements). KSCU has a broadcast area of 30 miles and is available on the internet. Jeff maintains a pod cast of all his shows at ( http://www.midwestusergroup.org/KSCU_Podcasts.htm ).And if you want to hear some great new music with one foot planted firmly in the new wave era check out Jeff’s side project, The Well Wishers ( http://www.myspace.com/thewellwishers ).
Guadalcanal Diary
The Modern World – Friday from 6am to 8am CST
89.9 FM WEVL ( http://wevl.org/ )
Listener Supported, Memphis, TN
Running continuously since 2000, The Modern World is straight ahead Punk and New Wave and rarely strays beyond 1990. For every song you hear that you recognize, you’ll hear two you don’t…and you’ll be better for it. The former host maintained an excel
lent site that documented every song played from every show (http://www.dtradio.com/) and is still a great place to go if you’re trying to remember the name of that Vitamin Z song that you liked (it was Burning Flame, by the way). The current host Scott maintains playlists of all his shows (http://www.myspace.com/letthedaybeginonwevl ) as well. The station is listener supported and has a broadcast range of 60 miles around the Memphis area. The station streams on the internet but does not maintain pod casts. Get up early on Friday-it’s worth it.
